3D Audio brings new concepts…

“Immersive Sound is the next big thing in audio. Cinema, TV, VR/AR, Videogames, Music, Museums, everyone is moving to 3D audio as a way to immerse audiences and improve their experiences.”

Nuno Fonseca (CEO of Sound Particles)

Flying Theater - Voletarium

Europe Theme Park Rust

Director: Holger Tappe

Job: Sound Design

Format: NHK Hamasaki 22.2 Surround -3D channel layout

Fulldome Production - Space Rock Symphony

Zeiss Planetarium Jena

Director: Robert Sawallisch

Job: Sound Design

Format: AURO 3D | 13.2 Surround - 3D channel layout

“Ich fühle Luft von anderem Planeten“

Fulldome Production

Director: Prof. Dr. Hans-Christian von Herrmann

Job: Sound Design

Format: AURO 3D | 13.2 Surround -3D channel layout

Permanent exhibition at HDWR • Haus der Weimarer Republik

Supervisor: Andreas Fedderson

Job: Sound Design, Composer

Format: Binaural, 6.0 and 4.0

Fulldome Production - RISING

Fulldome Production

Director: Heino Weißflog

Job: Sound Design, Re-Recording

Format: Dolby 5.1 (2D Audio)