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ME

Andreas Vorwerk, born 1983 in Suhl/Southern Thuringia, studied electroacoustic composition under Professor Robin Minard and Constantin Popp at the Bauhaus University, Weimar.

After graduating with a Bachelor of Fine Arts (2011), he began studying composition at the University of Music FRANZ LISZT Weimar. In 2014 he graduated his studies with a Master of Music.


AWARDS

2015 Sonic Arts Award

  • 1st Price in the category »Soundscape Composition«

2015 Master of Music

  • Electroacoustic Composition

2011 Der Schatz

  • Received the award of »Prädikat besonders wertvoll« of FBW

2009 Rising

  • Won Performance Award« ,»Audience Award«

  • Won Fulldome OsCar »Domi« in Albuquerque USA

2008 Aljona und die Babajaga

  • Won »First Step Award« and »Quellinale Award« 


Projects, Concerts & Others

Haus der Weimarer Republik

  • Multichannel Sound Installation “Die Schleuse” entry space

  • 3D Audio Sound Design (binaural rebuild soundscape of historical film material

  • Multichannel Sound Design “Prolog” at cinematic event room

Festival 28. Tage Neuer Musik in Weimar

  • Concert | Weimar | Studio for electroacoustic Music

next_generation 5.0 ACOUSMATIC

  • International Music Festival of Eletroacoustic Music

    Concerts, Presentations at ZKM | Karlsruhe

Métamorphoses 2014

  • 8th Biennial Acousmatic Composition Competition

Ein Fest der Wagogo

  • SoundWorld Tansania – 14.10.2014

IOSONO Wellenfeldsynthese

  • NETZWERK RAUMKLANG

Sounding D

  • New Music Network | Kulturstiftung des Bundes


OTHER

BVFT and Crew United and VGSD Member

Presentations:

  • The Reproducing Method

  • Audio Post-Production - Motion Picture Sound

  • the psychoacoustic phenomenon of film sound

Teaching:

  • lecturer at University of Music Franz Liszt Weimar [Postproduction Sound]

  • lecturer at Bauhaus University Weimar [Spatial Sound Design / 360° Audio]

  • lecturer at Bauhaus University Weimar [Audio Production - Motion Picture Sound]

  • lecturer at Neue Musik Leipzig [Digitale Klanggestaltung]

  • lecturer at University of Music Franz Liszt Weimar [Safar - Afghanistan / Germany - Distance learning Programm]


STUDIO

  • Pro Tools Ultimate 2019.10

  • 5.1 Edit Suite LCR - Genelec 8341 AP | Rear Genelec 8331 AP | Subwoofer 7360 APM

  • Genelec Loudspeaker Manager (GLM)

  • Acoustic Treatment by Vicoustic and Primacoustic

  • Dolby Atmos Production Suite

  • New Audio Technology - Spatial Audio Designer: 3D Audio Mixes up to 22.2 (inkl. Dolby Atmos Home, Auro 3D and 2D Mixes 2.0, 5.1, 7.1, MPEQ-H)

  • Kyma - Symbolic Sound: Sound Design Environment

  • PlugIns: The Cargo Cult, Zynaptic, Exponentional Audio,

    PlugIn Alliance, iZotope Post Suite, Audio Ease... much more

  • SFX and Fieldrecording Setup: Sound Devices Mix Pre 10T Sound Device 744t, div. Microphones (Sennheiser Ambeo, DPA 4060, Neuman km184, Dolphin Ear Hydrophone, div JrF, cold gold microphones)